Upside Down

This album cover reflects the fragile balance between how we see ourselves and how we are seen. Using a warm palette of oranges, yellows, and off-white, the piece evokes both comfort and intensity, like sunlight that reveals but also distorts. The mirrored figure, with one version turned upside down, suggests a split identity: the self we perform and the self we quietly carry. The act of holding a phone, as if taking a mirror selfie, becomes symbolic of modern existence, constantly framing, editing, and questioning our own image. The inverted album title reinforces this feeling of disorientation, hinting that meaning is not fixed but shifts depending on perspective. At its core, the work asks a simple but unsettling question: if we keep looking at ourselves through reflections, screens, and expectations, do we ever truly see who we are, or just a version we’ve learned to recognize?